Download Active Reading: Transformative Writing in Literary Studies by Ben Knights PDF

By Ben Knights

The topic of this e-book is the crossover among severe learn and artistic writing. 'Active analyzing' is a based strategy of writing actions utilizing imitation, edition and experimentation. via functional composition concepts similar to 'transformational writing', 're-writing' or 'translation', scholars can use writing actions to boost their serious mind's eye. This booklet bridges the distance among theories of studying and Literary reports in greater schooling. surroundings the argument in an old and theoretical context, it outlines the significance of writing as a medium of studying and argues for its usefulness in assisting English scholars' knowing of theoretical in addition to literary and cultural texts. The authors supply a reflective account of educating and overview equipment utilizing writing actions and significant pondering thoughts and the different types of studying they advertise. within the final part, they discover the connections with other kinds of writing perform in comparable disciplines and argue for the position of transformational writing in selling autonomous studying. Appendices supply examples of the diversity of actions that may be used and an indicative record of literary examples.

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Additional info for Active Reading: Transformative Writing in Literary Studies

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Some lecturers and tutors appeared to have difficulty making the most of two- and three-hour blocks of classwork, failing to vary teaching methods and duration of activity. In a number of observed seminars, students were given too few opportunities to contribute, and were consequently encouraged to become relatively passive. Generally, such classes also failed to stimulate appropriate expectations of further progression in other parts of the course. (TQA Overview Report, 1995) More pointedly, a group of English academics who had acted as TQA visitors summed up their experience: We think that the Assessment Challenge did a great service in pointing up the potential prestige of university English teaching.

As subsequently outlined in a mimeographed publication 'The Literary Practice Book', these sessions were built on the values of trust, cooperation and positive valuation - values all seen, by implication, to be lacking in the traditional seminar. The experience of these sessions was shaped by their juxtaposition with the other strands of the workshop. It should be borne in mind that the distinctive lightness and mutual trust of the Writing sessions is in part a function of their place within a larger programme in which other needs and preoccupations are being satisfied elsewhere.

Critical writing thus erects constructions of what the text means (or might have meant, or could not say for itself) in other words than those it used itself. In the last chapter, we argued that the conventional distinction between critical and creative practice was in fact unstable and ripe for deconstruction. In developing the theme of this book, our case about literary criticism develops three broad and interconnected areas. In this light we seek to spell out something already touched on in the previous chapter: the complex relationship of criticism as a genre of writing and pedagogy to other, 'creative', genres.

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